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He is, as a rule, a kindly-disposed person, quite alive to his own interests, and endowed by nature with a profound contempt and compassion for all barbarians who dwell in the pale of Chinese civilization. A man of this sort has enjoyed no opportunities of taking on the polish which is acquired by study and by the high experiences of official life. 24 presents the head of an ordinary Chinese coolie, a fine specimen of the lower orders in China.

Thomson offers a different reading of character for his photograph of the middle-aged male in the bottom left. 21) to “convey an idea of what this bright little fellow may in time become.” Thomson then uses the image to the left and below the photograph of the boy (No.

The softness of the eye is then frequently replaced by a cold, calculating expression, the result of their peculiar training, and the countenance assumes an air of apathetic indifference which is so necessary to veil the inner feelings of a polished gentleman. The face is altogether a pleasing one, but, as is common among children in China, it will gradually loose its attractions as it grows to maturity. The oblique setting of the eye, so peculiar to natives of the south, is well brought out in this picture.

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He is a fine, attractive-looking little fellow, his full hazel eyes beaming with kindness and intelligence. a boy of the upper or most educated class, the son of a distinguished civil officer of Canton. For the image of the youngster at the top center of his layout (no. Ethnicity remains a concern, but he also comments on class, occupation, age, and character. But his treatment of the four cameos showing Chinese heads represents a considerable expansion of the criteria with which he reads facial portraits. Thomson’s focus on facial anatomy and coiffure to distinguish Mongols from the Chinese presented on the same page employs ethnological assessments similar to those used with his Pepohoan cameos. (The two men on the right wearing skull caps are Mongols.) The Mongols wear the head wholly shaven, and in the practice they differ from the Chinese, who invariably carry a plaited queue. This type belongs to the north of the empire, and the features are heavier than those of the pure Chinese indeed the face, taken as a whole, approaches more closely to that of the European cast. In his treatment of the Mongol male, for example, he states: His caption then homes in on visual differences readily apparent in the photographs. Like the prototype, these display frontal, profile, and three-quarter views of his subjects. His assessment of human resources along the Yangzi models the concerns and practices he applies to local populations he encountered elsewhere.Īs with his presentation of the Pepohoan, for example, Thomson utilized cameo portraits to display the heads of Chinese and Mongolian males. Thomson redeploys the ethnological arguments he made in his analysis of the Pepohoan to China’s dominant ethnic groups.

There's always that type that meets your business and budget needs.If we imagine the entirety of Thomson’s journey as a single four-year expedition-a conception he promoted in the introduction to Illustrations of China and Its People-then the images and commentaries documenting his travels to Formosa and along the Yangzi become case studies with which to manage the large number and variety of Chinese “types” he identified throughout his travels.

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